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It’s 1981. The Warrens (Patrick Wilson, Vera Farmiga) are participating in the exorcism of a boy named David Glatzel. It leads to the case of Arne Johnson who claims that The Devil Made Me Do It.

I noticed early on that there is limited tension in this movie. I figured out that I don’t care about Arne and nothing will happen to the Warrens since this is a prequel. I don’t know any of these new people. Once Arne is in prison, I also realized that the legal system would never let him go. The Warrens can’t prove this stuff in a court of law. It all culminates with the realization that this story is more a courtroom drama than a horror. This is not scary. As a horror, it is a stale by-the-coloring-book movie. It has nothing inventive or compelling. The supernatural becomes a series of random superpowers. I still love the Warrens but this is a bland superhero movie.

This is yet another story from the Warren case files. There is no introduction of the Warrens as the film expects you to know who they are their previous films. The film starts out with an exorcism and Arne Johnson (Ruairi O’Connor ) does they «take me» to the demon/devil to save the boy. The thing is, he doesn’t jump out of a window afterwards. Instead, he kills a man. The Warrens are working on the Flip Wilson «The Devil made me do it» defense which takes them across New England.

If you seen these before, you know they all end the same way, with Ed adding an artifact which he stole to his private collection of demonically possessed pieces and ugly dolls.

Based on a true event and juiced up to be entertaining.

I must admit that when I sat down to watch the 2021 addition to «The Conjuring» franchise, I was not harboring much of any overly great expectations or hopes, because since the first movie it has been a steady downward slope.

Still, as I had the chance to sit down and watch «The Conjuring: The Devil Made Me Do It» from writers David Leslie Johnson-McGoldrick and James Wan. So of course I did it.

And I have to say that director Michael Chaves managed to deliver a movie that was only slightly entertaining. «The Conjuring: The Devil Made Me Do It» was a whole lot of nothing going on, and you can essentially just watch the beginning and the last 25 minutes of the movie and skip on everything in between.

The storyline written for «The Conjuring: The Devil Made Me Do It» was bland and slow paced, with very little of much excitement or interest happening in between the start and the end of the movie. And that ultimately led to a less than mediocre movie experience for me.

And yeah, I am a horror veteran, so «The Conjuring: The Devil Made Me Do It» was a walk in park. There were a few jump scare moments to be had here, but they could be seen coming a mile away. And the storyline wasn’t particularly dark, brooding or scary. So this was not an impressive foray into the horror genre.

I will say that the special effects in «The Conjuring: The Devil Made Me Do It» were good, and they definitely added something worthwhile to the movie. And «The Conjuring: The Devil Made Me Do It» is not a movie that is a make or break experience with its special effects, but they do add a good element to the overall experience of the movie.

The acting in the movie was good, but of course we are talking about actor Patrick Wilson and actress Vera Farmiga here, whom singlehandedly have been carrying the franchise with their performances. And true to the formula, they are the ones making it watchable again with the 2021 «The Conjuring: The Devil Made Me Do It». It should also be noted that the casting of Eugenie Bondurant as the occultist was a spot on choice, because she was genuinely creepy with her performance.

As I entered this movie with no expectations I can’t say that I was disappointed with the end result. But take heed, this is by no means a milestone in the horror cinema.

My rating of the 2021 «The Conjuring: The Devil Made Me Do It» lands on a less than mediocre four out of ten stars. Sure, it was a watchable movie, and if you are new to the horror genre, then you will be in for something good I suppose. But if you expect a bit more from the movies you sit down to watch then «The Conjuring: The Devil Made Me Do It» just doesn’t cut it.

You know, the Warrens were not Catholic superheroes. Despite warning us that the world was in a constant battle with demons, the Hollywood Reporter divulged that «in the early 1960s, Ed Warren initiated a relationship with an underage girl with Lorraine’s knowledge. Now in her 70s, Judith Penney has said in a sworn declaration that she lived in the Warrens’ house as Ed’s lover for four decades.»

They were pretty much hucksters who knew how to keep themselves in the eye of the media and could always fall back on religion to literally say they were doing God’s work. I guess that I don’t mind the carny world all that much until it starts impacting people’s lives more than the money they willingly give away.

This movie is a case in point of my issues with them.

It’s based on the trial Arne Cheyenne Johnson, also known as the «Devil Made Me Do It» case. This case was the first known court case in the U. S. in which the defendant claimed that Satan took over their body and actually committed the crime.

It all started when 11-year-old David Glatzel got possessed. The family brought in the Warrens to work with the Catholic Church to exorcise their son, at which point the demon left the child and went into Arne. Months later, Arne would kill his landlord and his defense lawyer that he was possessed.

Carl claimed that the criminal and abusive acts against his family and others, as recounted by the book, were lies created by the Warrens to exploit his brother’s mental illness. As he didn’t believe anything the Warrens told him, he was painted as the bad guy. Even worse, he also stated that the Warrens explained to him that the story would make the family millionaires and get Johnson out of jail.

Lorraine defended the story, bringing up the fact that six priests were involved in the incident. And as for Johnson, he continues to support the Johnsons and has stated that the lawsuit is so that the Glatzels can get rich.

All of the real-life things you just read are way more interesting than this movie.

The opening exorcism is pretty well-done and I was hoping for a return to form, as the original film in the series has some great art direction. Yet here we’re dragging back into the universe of this film, with fanservice toward showing Annabelle and Valak, reminding us that perhaps this series best days are long behind it and if this were the 90s, this movie would have gone direct to video.

This movie also seems obsessed with The Exorcist. In the opening, Father Gordon’s arrival echoes the poster of that film and later, when Earl is in the hospital, we hear the name Dr. Merrin get called. These little asides to that classic did not make me think this was in the same pantheon of that film. It made me want to shut it off and watch that movie instead.

I’m kind of sad that this movie was so bad. The past two films in the series have had great scares and I’ve kind of written the side stories off, thinking that at least the mainline films have been pretty good. Sadly, that downward slide of creativity has now extended toward this film, which was an utter waste of time and energy. At least people are vaccinated now and can’t put their lives on the line to go and see it.

My third theater experience post-COVID and again it’s from the horror genre. «The Conjuring: The Devil Made Me Do It» continues to follow the Warrens (Ed (Patrick Wilson) and Lorraine (Vera Farmiga)) and their demon fighting. This movie takes place in Brookfield, Connecticut circa 1981. It begins with them assisting in the exorcism of a little boy named David (Julian Hilliard). The exorcism fails, but the demon left the little boy and entered a young man named Arne (Ruairi O’Connor). Arne went on to commit a bloody murder and the Warrens were trying their best to prove that Arne was innocent for reasons of demon possession.

For the sake of the movie I wanted them to prove their point. For the sake of reality I was hoping they’d fail— or succeed yet fail with the jury. I can’t imagine a bigger monkey wrench in a flawed justice system than an acquittal based upon demon possession.

«The Conjuring» offered some decent jump scares, but more importantly it had a good plot. The Warrens were trying to uncover a curse. The demon was summoned by someone for some sinister reason and the Warrens sought to uncover it. It was risky business, but it was something they believed in.

At the exorcism of a small boy, a young man invites the demon to posess him instead, which the demon duly does. The young man then murders someone and following the demon’s departure, finds himself offering demonic possession as a defence (the court accepts God when administering oaths, so why not the Devil as a defence?). Occultist busybodies Ed and Lorraine Warren step up to research the history of the possession.

To be fair, this one is far more detective-y than horror-y which means there is more story and less horror cliche. There is still some creepiness and a couple of made-you-jump moments, but there is more suspense over Ed’s dicky heart and no Oh no, here comes the demon!

This a tolerable time passer.

If you must watch this, watch on HBO. Do NOT pay to see this in the theatre. It’s totally not worth the risk of boredom.

Okay, it’s not that bad, but really, this isn’t a movie anyone needs to see in the theatre.

The movie begins with three flat-out lies: 1, it takes place in 1981. This movie, atmosphere, vibe, look and design screams 1971. Or hell, ANY time in the 1960’s. The second and third lies were that this was «the most sinister discovery of their career,» followed by, naturally: «Based on the true story.»

Really, after a fairly fun cold open, it goes severely mellow until the ending and with a pretty easy, cut & dry case. If this was their «most sinister discovery,» then they lived real boing lives.

And sure. As for the «true» bit. I believe SOME people may believe this really happened.

Other than that, it’s not terrible, though It has absolutely zero scares and the jump «scares» are so far predicted, you could do your own countdown. It’s just a mystery and once revealed, it’s soothing. Too bad you just have to sit through an over-long movie to get to satisfying resolution conclusion.

If you believe in demonic possession, dark magic and the like, you might have more interest in this than me. The Original, O. G.hostbusters are back and after exorcising one demon, they failed to find any issue with the demon body hopping from one human to another. Oh, well. I bet that doesn’t bite them in the arse later on.

It was way better than the first unintentionally hilarious original, but 100x below Part 2. I rather really enjoyed Part 2. This one, I fell asleep 2x and finally gave up last night to finish it today.

‘The Conjuring: The Devil Made Me Do It (2021)’ feels much more like a spin-off movie than a proper sequel, in terms of both quality and narrative. I appreciate the desire to do something a little different to the haunted houses of the previous two entries in the series, but this just ain’t it, chief. The story is incredibly messy and inconsistent, ostensibly about the first American court case in which the defence claimed demonic possession as a mitigating factor but actually about a human Satanist using black magic to possess people in an effort to appease a demon she has summoned. It’s, and I use this term loosely, the least believable of the three ‘Conjuring’ movies. Plus, it doesn’t feel like something the Warrens themselves would have approved of (their dynamic is pushed to some pretty dark places). It seems to stray very far from the so-called ‘facts’ of the situation (which I’ll admit I don’t know too much about), sprinkling in elements from a variety of other cases that the Warrens were involved with around the same time. This does nothing other than distract from what should be the main focus of the flick. In all honesty, a courtroom drama would have been much more interesting and distinct. What we actually have feels like a schlocky supernatural detective story that hits all the beats you’d expect from a cheap seventies crime procedural with a supernatural gimmick. It’s disappointing, for sure. It’s also rather bland when it comes to its scares, utilising tried-and-tested techniques to typically subpar effect. Don’t get me wrong, it’s relatively enjoyable in a pulpy sort of way. The cast are as good as ever and the cinematography is satisfying. It’s also better than a lot of similar fare. It just isn’t even close to scary and is far less inspired than the two films it follows. It’s far less engaging, too. The characters are nowhere near as well-rounded, which is perhaps the picture’s second biggest issue. Its first is its lack of truly effective scare sequences.

Something else that’s worth mentioning is the fact that the flick’s insistence on claiming it’s based on a true story (which is weird considering how far it strays from the ‘facts’ of the situation it’s based on) imbues it with a rather dangerous message. It actually goes quite a long way in absolving a killer, adding credence to the obviously bogus claim that demonic possession was responsible for the violence he inflicted. At best, the guy was mentally ill (as was, according to his own brother, the little boy whom the Warrens are depicted performing an exorcism on in the movie’s opening moments) and, at worst, he was fully aware of his own actions. In reality, the guy got into a fight with his landlord and then stabbed him several times with a five-inch blade. If he was under the influence of anything, it was alcohol (his girlfriend is reported to have told her father something to the effect of «he didn’t mean to do it, you know how he gets when he’s been drinking».) That’s all there is to it. Here comes this movie, though, that presents the demonic possession as real, essentially saying that justice wasn’t served when the guy got sentenced to jail time for manslaughter because he really was being controlled by some sort of demon. It presents every sceptic as an absolute idiot wo endangers the lives of those around them when they refuse to accept the ‘truth’ about God and demons (i.e. When they aren’t overtly Christian). Of course, the previous movies also present the demonic as real and take the Warrens at their word. The difference, though, is that the events depicted in the previous two films (apart from a brief segment focusing on the Amityville situation) only really have an effect on those who directly participated in them. Those real-life situations essentially mirror the films they’re in, as both the film and the events it is based on are simply made-up stories designed to generate publicity for those involved. When they say «based on true events», you can simply reply «no, you’re not» and enjoy them as fictional affairs. When something like this makes the same claim, however, it implicitly removes the culpability of those involved with the violent crimes it depicts. It It says «hey, this guy really was innocent all along and the court was just too stupid to acknowledge that». What it should say is «thank goodness the court threw out such a blatantly false claim and properly tried the defendant for their crime». This type of story also goes a fair way in regressing our understanding of mental illness, presenting it not only as a negative trait but as the literal embodiment of evil. In fact, it basically says that mental illness isn’t real and, instead, must be a demonic presence. The previous two films could arguably fall into this latter trap, too, but their events are generally understood to have been fabricated by all those involved, rather than purely misinterpreted. As you can probably tell, there’s a lot to say about the implication that the events this is based on are actually true. I won’t discuss it further because I don’t want this review to go on forever (it’s long enough already) and also because I’m clearly not the most qualified person to be discussing the negative effects something like this could have on the public perception of mental illness and violent crime. It probably sounds like this aspect is a deal-breaker for me regarding this film, too, but it actually isn’t. That’s primarily because the whole ‘devil made me do it’ aspect of the piece is kind of secondary to its schlocky Satanist storyline. The focus is on saving the possessed guy rather than ensuring he doesn’t get sentenced to any jail time. This is technically one of the film’s faults, since it means that it’s far less focused on its eponymous element than it should be, but I actually think it’s ironically one of its strengths, as it allows it to divorce itself somewhat from the shaky moral ground that comes with its ‘true story’ tag. It doesn’t completely absolve it, don’t get me wrong. It just allows for an in-the-moment experience that isn’t totally dominated but this aspect.

In the end, the film is a messy and inconsistent entry in its series. It’s enjoyable enough in a pulpy sort of way, though, and it’s far from the worst that the overall franchise has to offer. Still, I doubt I’ll be in a rush to revisit it. 6/10.

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Заклятие 3: По воле дьявола, 2021

Фильм расскажет леденящую кровь историю ужасающего убийства и неизвестного зла, которая в реальной жизни поразила даже опытных исследователей паранормальных явлений Эда и Лоррейн Уорренов. Одно из их самых сенсационных дел началось с борьбы за душу юноши, а привело к тому, чего они не видели ни разу за свою практику, когда впервые в истории США подозреваемый в убийстве в свою защиту заявил, что был одержим демоном.

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В третьей части культовой хоррор-франшизы Джеймса Вана «Заклятие» исследователи паранормальных явлений Эд и Лоррейн Уоррен встречаются с преступником, одержимым демонами. В основу сюжета лег реальный суд Арне Шайенном Джонсона 1981 года, вызвавший резонанс в СМИ. Подозреваемый был привлечен к уголовной ответственности за непредумышленное убийство. Мужчина несколько раз ударил своего домовладельца Алана Боно карманным ножом, после чего попытался скрыться с места происшествия.

В кинокартине детально воспроизводятся событиях тех дней. К суду по делу Джонсона (Руаири О’Коннор) приковано внимание всей Америки. Помимо того, что убийство Боно (Ронни Джин Блевинс) оказалось первым за всю историю тихого города Брукфилд, подсудимый также стал утверждать, что совершил преступление по воле дьявола. Вести расследование поручено легендарным демонологам Эду (Патрик Уилсон) и Лоррейн (Вера Фармига). Прежде они неоднократно становились свидетелями паранормальной активности в разных уголках США. В частности, супруги сражались с духом проклятой монахини и подконтрольной нечисти куклой Аннабель. Но с подобным им не приходилось сталкиваться за всю карьеру.

«Заклятие 3: По воле дьявола» — первая часть знаменитого хоррор-сериала без Джеймса Вана в режиссерском кресле. Его место занял Майкл Чавес, на счету которого успешный спин-офф франшизы «Проклятие плачущей», при бюджете в 9 миллионов долларов собравший в мировом прокате свыше 120 миллионов.

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На момент съемок Джулиану Хиллиарду, сыгравшему Дэвида Глатцеля, было всего восемь лет. За плечами юного актера участие в сериалах «Призрак дома на холме» и «Ванда/Вижн». В 2019 году с участием Хиллиарда также вышел фильм ужасов «Цвет из иных миров».

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После смерти матери две несовершеннолетние сестры Оливия и Клэр прибывают в дом родной тёти Бет, которая не очень-то рада гостям. 40 лет назад в этом доме нечто убило младшую сестру Бет и теперь женщина строго-настрого запрещает девочкам спускаться в подвал. Но ночью голос зовёт младшую Клэр: указывает ей, где найти ключ от подвала, велит подойти к зеркалу и произнести заклинание, чтобы тёмная сущность могла пробраться в этот мир.

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Молодая балерина отправляется в престижную европейскую танцевальную академию, где она сталкивается с чем-то зловещим и сверхъестественным. Теперь она должна выяснить причину серии смертей, чтобы не стать следующей жертвой проклятия.

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Полиция Нью-Йорка расследует серию тревожных и необъяснимых преступлений. Один из офицеров обращается за помощью к специалисту по экзорцизму, чтобы избавить город от дьявольской напасти.

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Мэтт с женой Карэн в преддверии Рождества решает сделать брату Стиву сюрприз, и супруги без предупреждения приезжают к нему в гости. Но радостное воссоединение семьи омрачается неожиданным открытием. Оказывается, в подвале у Стива кто-то заперт, и сам парень уверен, что пленник не кто иной, как сам Дьявол. Первоначальный шок супругов сменяется паранойей, праздничные выходные оборачиваются кошмаром.

История о семье, вынужденной переехать ближе к клинике, где их сын лечится от рака. И без того испытывающие финансовое и моральное напряжение, они обнаруживают, что их недавно отреставрированный дом хранит мрачные тайны. После нескольких столкновений со сверхъестественным как внутри, так и вне дома, семья обращается за помощью к охотникам за призраками и Католической церкви, проводящей обряд изгнания демонов.

Пустыня Мохаве, 1982 год. Волшебник Свон убивает своего учителя Никса, похитившего его любимую двенадцатилетнюю девочку, чтобы заставить самого способного ученика остаться с ним, а не бросать учебу. Через тринадцать лет частный детектив из Нью-Йорка, имеющий особый дар бороться со всякой чертовщиной, помогает Свону и все той же повзрослевшей девочке, ставшей его женой, бороться с колдуном-учителем, воскрешенным из мертвых одним из других наиболее способных учеников. Учитель, по его собственным словам, хотел стать богом, но передумал, решив просто уничтожить наш мир.

Семья Ламберт стремится раскрыть тайну, из-за которой они оказались в опасной связи с миром духов. Семейство переезжает в дом матери Джоша, но, как оказывается, туда вселяются не только они. Путешествие в мир призраков не прошло для семьи Ламберт бесследно — вместе с Джошем в мир людей проник дух, который вновь хочет быть живым. И вскоре в доме снова начинают происходить странные и страшные вещи.

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